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・ Caucasian Knot
・ Caucasian mole
・ Caucasian moose
・ Caucasian neopaganism
・ Caucasian parsley frog
・ Caucasian peoples
・ Caucasian Psychosis
・ Caucasian pygmy shrew
・ Caucasian race
・ Caucasian Review of International Affairs
・ Caucasian Riviera
・ Caucasian salamander
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Caucasian Sketches
・ Caucasian Sketches, Suite No. 1
・ Caucasian Sketches, Suite No. 2
・ Caucasian snow vole
・ Caucasian snowcock
・ Caucasian squirrel
・ Caucasian toad
・ Caucasian tur
・ Caucasian War
・ Caucasian wisent
・ Caucasichthys
・ Caucasicum
・ Caucasology
・ Caucasorites
・ Caucasus


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Caucasian Sketches : ウィキペディア英語版
Caucasian Sketches
''Caucasian Sketches'' ((ロシア語:Кавказские эскизы)) is a pair of orchestral suites written in 1894 and 1896 by the Russian composer Mikhail Ippolitov-Ivanov. The ''Caucasian Sketches'' is the most often performed of his compositions and can be heard frequently on classical radio stations. The final movement of the ''Caucasian Sketches, Suite No. 1'', entitled ''Procession of the Sardar'' ((フランス語:Cortège du Sardar); also popularly known as ''March of the Sardar'' or ''Sardar's March''), is often heard by itself, and is a favorite of "Pops" concerts.

== Influences of the Caucasian Sketches ==

The orchestral songs of the ''Caucasian Sketches'' were influenced by the Georgian folk songs that Ippolitov-Ivanov heard during his years as director of the music conservatory and conductor of the orchestra in Tbilisi, the principal city of Georgia and during his visits to the surrounding Caucasus Mountains.
Ippolitov-Ivanov had studied at the St. Petersburg Conservatory under the composer Nikolai Rimsky-Korsakov, a master of orchestration, whose style of beats and chimes is reflected in the songs of the ''Caucasian Sketches''.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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